Artist Development Fund

2023/24  - ROUND2

We received over 70 applications for this round of our Creative Scotland funded Artist Development Fund. We shortlisted 6 applicantions, and selected 3 - Afton & Nelly, Huss and Shawn. Each project received a £2000 bursary and was matched with a partner venue, based across Scotland. Find out more about the artists and their exciting development projects…

Afton Moran & Nelly Kelly

THE GREAT BRITISH TRANS DEBATE OFF

Afton Moran (they/them) and Nelly Kelly (they/them) are trans masculine non-binary theatre and performance makers. They have worked on several projects together dating as far back as 2017, their most recent being 68 Months in Waiting (National Theatre of Scotland, BBC Scotland).

Their work is fun, cheeky, and charming, playing with the juxtaposition of exaggerated satire and subtle self-portrayal. Through their work, they aim to inject joy, community, and laughter into their goal of fostering greater allyship and positive engagement with the trans community at a crucial time for trans rights in Scotland.

The project came about as an idea Afton and Nelly had
together while sitting in the Meadows sipping knock-off champagne during Edinburgh Pride, and having a laugh-or-cry moment about news articles referencing ‘the Trans Cult’. They jokingly played
with the idea of assuming the shared role of cult leaders of the Trans Cult, supposedly set on indoctrinating your children and making it a reality. That idea has since become less of a joke. The work will use humour as a means of examining the more ridiculous notions perpetuated about trans
people by cis-dominated media outlets, seeking to engage audiences who seldom interact with trans people in their day-to-day life, while centering the well-being and entertainment of its trans audience.

This development was delivered in partnership with Aberdeen Performing Arts.

“Our time on our Sanctuary Queer Arts residency developing our project The Great British Trans Debate Off [Working Title] was invaluable. It was the first time that we were given the space, resources and support to create work together in a collaborative capacity. We wanted to begin exploring our ideas together in a way that acknowledged it didn’t have to happen in a conventional 9 to 5 working day. As a company we felt energised by the encouragement we were given to create in our own way, through taking breaks whenever it felt natural, having energy level check ins and starting off our days with yoga. What was most important to us though was feeling safe to create boundary pushing work without judgement. We are currently on the shortlist for funding from Unlimited and if we are successful then our plan is to begin fully developing/creating the show with the aim of premiering it at the Edinburgh Fringe Festival upon completion.”

Huss Aya

ECHOES OF HOME

ECHOES OF HOME is a multimedia performacne that weaves together the themes of Queer Arab healing, a mother/son reunion and a bittersweet ache of nostalgia in a home far away from home.

This development was delivered in partnership with Theatre Royal Dumfries.

Huss (he/him) is an Arab performance and vidual artist based in Glasgow. Tackling personal and cultural themes, his discipline involves experimenting and combining elements of installation, sculpture, visuals and audio to culminate in immersive performance pieces. Huss uses his work as a Queer person of colour to raise issues facing the Arab world that lack acknowledgment in western society, especially queer laws and hoe much it has always censored and endangered artists like himself. He is always striving to produce work that both immerses and captivates audiences in unexpected ways to tackle important issues that need spoken about more.

Shawn Nayar

A Performance Equiry

Nayar has been developing their new enquiry by researching colonial abuses of power in India and the resonation of generational trauma with western powers that actively perpetuate these abuses today. Through the creation of motion scores and movement trials, they have laid the groundwork for a performance that will see continued development throughout 2024.

This development was in partnerhsip with Lyth Arts Centre.

Shawn is a performing artist at Eat the Rich III with Abereen Performing Arts and Sanctuary Queer Arts.

Instagram @shawnnayar https://www.instagram.com/shawnnayar/ 

Shawn Nayar (he/they) is a performing artist from India who weaves his audience into collaborative erotic enquiries. On stage, stripped of inhibitions and having abandoned sublimation, he examines what it is to be in a body externally fetishised by the sexual gaze and made exotic by skin color. He embraces the instinctive physicality that comes with his intrinsic movement practice, becoming a body that both fights against these impositions with grotesque convulsions and succumbs to them with captivating lulls. His performances bring this turmoil center stage and use its physicality to translate an internal dissonance as Nayar struggles to reconnect with a culture he is isolated from. 

As a performer Nayar is emboldened by collaboration, inviting other artists and his audience to constrict his “body of work” with ropes and guide it through movement. By treating his movement practice as an artistic medium, Nayar’s body becomes a material for others to use and manipulate. In this sense his collaborators activate his work by enacting the racial and queer discourses of power that ground his movement practice and lived experience. As these interactions are a critical arm of his performances, Nayar has positioned his work in clubs and raves where intoxication muffles restraint and heavy beats fuel a symbiotic energy.